Photo by Bill Knous
When I first began to envision what this project would look like a few months ago, lines from Robert Frost’s “The Road Not Taken” kept floating through my head. Even if you haven’t gotten cozy with Frost, one of America’s most beloved pastoral poets, I bet you’ve heard these lines before:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.
Sound familiar? This iconic ending has been found in book titles, car commercials, summer programs for teenagers, and many blogs about travel, just to name a few examples. Its position at the forefront of my mind was probably the result of years of subliminal conditioning that the road less traveled is THE road to travel. To me, it seemed to be the road of adventure, pioneers, discovery, and independence; the veritable crux of our American culture. As someone who loves to explore and, yes, tends to get carried away by metaphors, I felt this poem could be the foundation of my own story about the unconventional life.
Of course, the English major in me had to step back momentarily and agonize over the poem in its entirety. I wanted it to be as pure as it sounded, so it would fit within the bounds of my blog and make my newfound creative life that much easier. I headed to poetryfoundation.org (a great poetry resource, by the way) to see what the other 17 lines had to say.
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.
Something was amiss. Why does Frost call the second road “just as fair” as the first in the second stanza? And write that “as for that the passing there, had worn them really about the same.” Huh? Are they the same or different? I left my reading disappointed yet intrigued by his words. What was he trying to say?
I decided to do a little more research to disentangle the seemingly incongruous messages. Observing that my curiosity for this poem was now bubbling over into a healthy obsession, my extremely literate husband, Billy, pointed me in the direction of a recent Diane Rehm show honoring the poem’s 100th anniversary (https://thedianerehmshow.org/shows/2015-08-20/the-100th-anniversary-of-robert-frosts-poem-the-road-not-taken). It’s a lengthy listen (about an hour and 40 minutes) but, in my opinion, worth it to hear the insights of a few notable poetry scholars on Frost and his place within the context of American history and culture.
To those looking for a quick answer, there isn’t one, except maybe this:
My poems—I should suppose everybody’s poems—are all set to trip the reader head foremost into the boundless. Ever since infancy I have had the habit of leaving my blocks carts chairs and such like ordinaries where people would be pretty sure to fall forward over them in the dark. Forward, you understand, and in the dark.
— Frost to Leonidas W. Payne Jr., November 1, 1927 (poets.org)
It seems that Frost never intended to give us the inspirational message that we have selectively plucked from his work, time and time again. He meant to tease us with a puzzle, to make us think and perhaps look a bit more cautiously in the mirror. “I shall be telling this with a sigh, Somewhere ages and ages hence,” he writes. According to the experts, the narrator appears to “sigh” because he knows that, at least for him, there never was a “road less traveled by.” The narrator is human, and as we humans tend to do, he embellishes the past to make it sound more exciting. Rehm’s guests also note that the poem is not titled “The Road Less Traveled,” but “The Road Not Taken,” leaving readers to contemplate not only the choice between the two roads, but the heavy consequences of that choice.
For those of us who have been living our lives thinking that we were on the same road as the great Frost (pan to, yep, me), this analysis can be discouraging bordering on depressing. What I thought was an encouraging clue on the Gran Via to enlightenment is actually a duplicitous joke meant to send us catapulting through darkness.
Thankfully, darkness doesn’t necessarily mean death. After all, we need darkness to appreciate light. And we need questions to uncover truth. Reading “The Road Not Taken” now, I ask myself whether I truly am on a less traveled path, and if the answer is yes, why? Perhaps the wise Frost would advise me to abstain from all labels – traveled and less traveled – and instead simply live a life that is true. And if it really is just a big, beautiful joke, to laugh.
Sources:
Frost, Robert. “The Road Not Taken.” Poetry Foundation. Poetry Foundation, n.d. 23 August 2015.
Orr, David. (2015, August 19). The Road Not Taken: The Poem Everyone Loves and Everyone Gets Wrong. Poets.org. Retrieved from http://www.poets.org/poetsorg/text/road-not-taken- poem-everyone-loves-and-everyone-gets-wrong
Rehm, Diane. (2015, August 20). The 100th Anniversary of Robert Frost’s Poem, “The Road Not Taken.” The Diane Rehm Show. Retrieved from https://thedianerehmshow.org/shows/2015- 08-20/the-100th-anniversary-of-robert-frosts-poem-the-road-not-taken